Alchemy.

Alchemy.
Beware Alchemy of Mind,
They Turn To Gold All They Find.

The Vedas contain the details of alchemy that are found to have a connection between gold and mercury, which was so vital to alchemy everywhere, is first mentioned in the Artha-shastra. There were records of detailed
procedure to be followed for transmuting basic metals lead tin with mercury to
convert it to gold.
The old alchemy literature could not be scrutinized for evidence, because alchemy doctrine is claimed to have on more than one occasion come into the possession of one man but always again been lost with his death.
The recovery and uses of mercury, also known as quicksilver, have been described since ages. Alchemists used mercury to convert base metals, lead, tin, to gold as early as the 2nd century BC. Metals contain certain quantity of electrons and protons and neutrons in different properties in different ratio in different metals.
Ancient alchemists believed that, under the correct astrological conditions, lead,tin could be "perfected" into gold. They tried to hasten this transformation by heating and refining the metal in a variety of chemical processes, most of which were kept secret. Alchemy was practiced in much of the ancient world, from India to China to Europe.







Alchemy was connected with an enterprise older than metallurgy--i.e., medicine. Belief in physical immortality seems to go back to the 8th century BC, and belief in the possibility of attaining it through drugs to the 4th century BC. The magical drug, namely the "elixir of life" elixir is the European word is mentioned about that time, and that most potent elixir, "drinkable gold," which was a solution of this corrosion-resistant metal, as early as the 1st century BC. Ayurveda, contains two chapters with obscure recipes for elixirs, mostly based on mercury or arsenic compounds. It is a practical treatise on creating elixirs mercury, sulfur, and the salts of mercury and arsenic are prominent for the attainment of immortality.
The possibility of chemical gold making was not conclusively disproved by scientific evidence until the 19th century. As rational a scientist as Sir Isaac Newton (1643-1727) had thought it worthwhile to experiment with it. The official attitude toward alchemy in the 16th to 18th century was ambivalent. On the one hand, The Art posed a threat to the control of precious metal and was often outlawed; on the other hand, there were obvious advantages to any sovereign who could control gold making. In "the metropolis of alchemy," Prague, the Holy Roman emperors Maximilian II (reigned 1564-76) and Rudolf II (reigned 1576-1612) proved ever-hopeful sponsors and entertained most of the leading alchemists of Europe.This was not altogether to the alchemist's advantage. In 1595 Edward Kelley, an English alchemist and companion of the famous astrologer, alchemist, and mathematician John Dee, lost his life in an attempt to escape after imprisonment by Rudolf II, and in 1603 the elector of Saxony, Christian II, imprisoned and tortured the Scotsman Alexander Seton, who had been traveling about Europe performing well-publicized transmutations. The situation was complicated by the fact that some alchemists were turning from gold making not to medicine but to a quasi-religious alchemy reminiscent of the Greek Synesius. Rudolf II made the German alchemist Michael Maier a count and his private secretary, although Maier's mystical and allegorical writings were, in the words of a modern authority, "distinguished for the extraordinary obscurity of his style" and made no claim to gold making. Neither did the German alchemist Heinrich Khunrath (c. 1560-1601), whose works have long been esteemed for their illustrations, make such a claim.Conventional attempts at gold making were not dead, but by the 18th century alchemy had turned conclusively to religious aims. The rise of modern chemistry engendered not only general skepticism as to the possibility of making gold but also widespread dissatisfaction with the objectives of modern science, which were viewed as too limited. Unlike the scientists of the Middle Ages and Renaissance, the successors of Newton and the great 18th-century French chemist Antoine-Laurent Lavoisier limited their objectives in a way that amounted to a renunciation of what many had considered the most important question of science, the relation of man to the cosmos. Those who persisted in asking these questions came to feel an affinity with the alchemists and sought their answers in the texts of "esoteric," or spiritual, alchemy (as distinct from the "exoteric" alchemy of the gold makers), with its roots in Synesius and other late Greek alchemists of the Venice-Paris manuscript.This spiritual alchemy, or Hermetism, as its practitioners often prefer to call it, was popularly associated with the supposititious Rosicrucian brotherhood, whose so-called Manifestoes (author unknown; popularly ascribed to the German theologian Johann Valentin Andreä) had appeared in Germany in the early 17th century and had attracted the favourable attention not only of such reforming alchemists as Michael Maier but also of many prominent philosophers who were disquieted by the mechanistic character of the new science. In modern times alchemy has become a focal point for various kinds of mysticism. The old alchemical literature continues to be scrutinized for evidence, because alchemical doctrine is claimed to have on more than one occasion come into the possession of man but always again been lost. Nor is its association with chemistry considered accidental. In the words of the famous 19th-century English spiritual alchemist Mary Anne Atwood,Alchemy is an universal art of vital chemistry which by fermenting the human spirit purifies and finally dissolves it. . . . Alchemy is philosophy; it is the philosophy, the finding of the Sophia in the mind

Arabic alchemyArabic alchemy is as mysterious as Greek in its origins, and the two seem to have been significantly different. The respect in which Physica et mystica was held by the Greek alchemists was bestowed by the Arabs on a different work, the Emerald Tablet of Hermes Trismegistos, the reputed Hellenistic author of various alchemical, occultic, and theological works. Beginning "That which is above is like to that which is below, and that which is below is like to that which is above," it is brief, theoretical, and astrological. Hermes "the thrice great" (Trismegistos) was a Greek version of the Egyptian god Thoth and the supposed founder of an astrological philosophy that is first noted in 150 BC. The Emerald Tablet, however, comes from a larger work called Book of the Secret of Creation, which exists in Latin and Arabic manuscripts and was thought by the Muslim alchemist ar-Razi to have been written during the reign of Caliph al-Ma'mun (AD 813-833), though it has been attributed to the 1st-century-AD pagan mystic Apollonius of Tyana.Some scholars have suggested that Arabic alchemy descended from a western Asiatic school and that Greek alchemy was derived from an Egyptian school. As far as is known, the Asiatic school was not Chinese or Indian. What is known is that Arabic alchemy was associated with a specific city in Syria, Harran, which seems to have been a fountainhead of alchemical notions. And it is possible that the distillation ideology and its spokeswoman, Maria--as well as Agathodaimon--represented the alchemy of Harran, which presumably migrated to Alexandria and was incorporated into the alchemy of Zosimos.The existing versions of the Book of the Secret of Creation have been carried back only to the 7th or 6th century but are believed by some to represent much earlier writings, although not necessarily those of Apollonius himself. He is the subject of an ancient biography that says nothing about alchemy, but neither does the Emerald Tablet nor the rest of the Book of the Secret of Creation. On the other hand, their theories of nature have an alchemical ring, and the Book mentions the characteristic materials of alchemy, including, for the first time in the West, sal ammoniac. It was clearly an important book to the Arabs, most of whose eminent philosophers mentioned alchemy, although sometimes disapprovingly. Those who practiced it were even more interested in literal gold making than had been the Greeks. The most well-attested and probably the greatest Arabic alchemist was ar-Razi (c. 850-923/924), a Persian physician who lived in Baghdad. The most famous was Jabir ibn Hayyan, now believed to be a name applied to a collection of "underground writings" produced in Baghdad after the theological reaction against science. In any case, the Jabirian writings are very similar to those of ar-Razi.Ar-Razi classified the materials used by the alchemist into "bodies" (the metals), stones, vitriols, boraxes, salts, and "spirits," putting into the latter those vital (and sublimable) materials, mercury, sulfur, orpiment and realgar (the arsenic sulfides), and sal ammoniac. Much is made of sal ammoniac, the reactive powers of which seem to have given Western alchemy a new lease on life. Ar-Razi and the Jabirian writers were really trying to make gold, through the catalytic action of the elixir. Both wrote much on the compounding of "strong waters," an enterprise that was ultimately to lead to the discovery of the mineral acids, but students have been no more able to find evidence of this discovery in the writings of the Arabic alchemists than in those of China and India. The Arabic strong waters were merely corrosive salt solutions.Ar-Razi's writing represents the apogee of Arabic alchemy, so much so that students of alchemy have little evidence of its later reorientation toward mystical or quasi-religious objectives. Nor does it seem to have turned to medicine, which remained independent. But there was a tendency in Arabic medicine to give greater emphasis to mineral remedies and less to the herbs that had been the chief medicines of the earlier Greek and Arabic physicians. The result was a pharmacopoeia not of elixirs but of specific remedies that are inorganic in origin and not very different from the elixirs of ar-Razi. This new pharmacopoeia was taken to Europe by Constantine of Africa, a Baghdad-educated Muslim who died in 1087 as a Christian monk at Monte Cassino (Italy). The pharmacopoeia also appeared in Spain in the 11th century and passed from there to Latin Europe, along with the Arabic alchemical writings, which were translated into Latin in the 12th century.